Here's a look at my James Brown collection. The J.B.'s In March 1970, most of Brown's mid-to-late 1960s road band walked out on him due to financial disputes, a development augured by the prior disbandment of the Famous Flames singing group for the same reason in 1968. Brown and erstwhile Famous Flames singer Bobby Byrd (who chose to remain in the band during this tumultuous period as co-frontman, effectively serving as a proto-hype man in live performances) subsequently recruited several members of the Pacemakers, a Cincinnati-based ensemble that included bassist Bootsy Collins and his brother, guitarist Phelps "Catfish" Collins; augmented by the remaining members of the 1960s road band (including Fred Wesley, who rejoined Brown's outfit in December 1970) and other newer musicians, they would form the nucleus of the J.B.'s, Brown's new backing ensemble. Shortly following their first performance together, the band entered the studio to record the Brown-Byrd composition, "Get Up (I Feel Like Being a) Sex Machine"; the song —with its off the beat play Brown called "The One"—[58] and other contemporaneous singles would further cement Brown's influence in the nascent genre of funk music. This iteration of the J.B.'s dissolved after a March 1971 European tour (documented on the 1991 archival release Love Power Peace) due to additional money disputes and Bootsy Collins's use of LSD; a new lineup of the J.B.'s coalesced around Wesley, St. Clair Pinckney and drummer John Starks.