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Writing better guitar parts
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Hey guitarists, producers, and songwriters,

Iā€™m a producer that has been told I make ā€œguitar based musicā€ (indie pop, anti pop). I was doing really well and having success with my music and my business, but I fell into a depression and took a year off of making anything and playing my instruments. Now, I feel like Iā€™m learning how do everything all over again.

One of the challenges Iā€™m facing is writing better guitar parts. I tend to play 4 chord progressions over a basic eight note strumming pattern, then stack a lead line or two on top. This isnā€™t wrong or bad, but Iā€™ve been stuck in this cycle and itā€™s getting boring. Iā€™ve tried arpeggios, inversions, weird tuning and chord shapes, but I still end up doing 4 chords and eight notes, just differently lol.

Iā€™m wondering, how do you guys escape basic strum patterns? How do you make parts that serve the song better, and/or are more engaging and interesting?

Iā€™m a bassist first, which I think is one of them origins of this problem. Iā€™m inspired by artists like Jean Dawson, Dominic Fike, Sam Austins, spill tab.

Thanks!

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9 months ago