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Now, in their separateness, however, they sizzle and hum
Sweet, self-destructive music
That cradles our bodies and turns them
Back to an attitude, a near-truth
Where measure is verbal architecture
and form is splendor.
-Charles Wright, "Meditation On Form and Measure"
I was intrigued by a response by /u/CumHungryPrincess to a GWA backstage question. She said that she liked the idea of being called "sir."
This intrigued me because, while very basic semiotics say that words are mere stand-ins for the things and ideas they represent--/r/imfromthe14thcenturyandthisisdeep--that's not really the case when it comes to actually using those words. Language has a power greater than simply being representational, which is why words can hurt or turn us on so much whether we like it or not. In this case, the word "sir" does not simply represent a way to address a man but has its own power in the D/s spectrum.
PLEASE MA'AM, MAY I CALL YOU SIR?
This is up to the performer, of course, but I was thinking that moans in this piece should be a bit girly--not high pitched but very vocal and sustained.
I suppose this could also be a M4tM piece as there are references to 'pussy' but no references to the listeners gender except for the title.
As always, feel free to improv or make changes that feel more natural to you. Reply or PM if you have questions.
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