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[MM4F] The Butcher of 3rd Avenue Pt. 2 [Rival Mobster Speakers][Sweet Listener][Hardcore Yandere][Murderous][Insane][Lore Drops?][Crazy In Love][Assassination][Rivalry/Bad Blood][Pleading][Crying][Devil/Angel Connotations][CW: Disturbing Imagery/Violence/Gunshots]
Author Summary
ItsEsmeJones is a male/male couple, or multiple men looking for a female in Devil/Angel Connotations
Post Body

Part 1 Part 3


Context: You've been with Abe for a few years, now. When you met, he was quiet, a little grumpy, but you managed to crack his shell a little. He's gruff to everyone else, but you know how sweet and soft he can be. You can't imagine him harming a fly, really. Or, you couldn't, before he confessed to being a monster. Moments later, you were killed.

Setting: Abe's apartment/a gas station

Tags:[MM4F][Rival Mobster Speakers][Sweet Listener][Hardcore Yandere][Murderous][Insane][Lore Drops?][Crazy In Love][Assassination][Rivalry/Bad Blood][Pleading][Crying][Devil/Angel Connotations][CW: Disturbing Imagery/Violence/Gunshots]

Usage: You may tweak or record this script. Gender flipping is OK! Please credit me if you use this script in any of your projects. If you would like to use this script for a paywalled recording, please note:

Monetization: All forms of monetization are OK with me! Youtube, Patreon, etc. I would appreciate being able to listen to the recording, if possible. Let me know if you have any questions. Thank you!


[A] = Abraham aka Abe aka the Butcher of 3rd Avenue

[B] = Benny, your killer


[Scene opens in Abeā€™s apartment]

[SFX: A meat cleaver being dragged across a concrete floor]

[A] ā€œ...Hhā€¦ Sugarplumā€¦ Y-You home, baby? Donā€™t be scared ā€˜bout this big blade, honey, itā€™s OK! I-Itā€™s for work! Be homeā€¦ Pleaseā€¦ Be here, with that sweet smileā€¦ P-Please, I needā€¦ā€

[SFX: More dragging, a few things crashing and falling]

[Abe stumbles and staggers through his apartment, gripping a massive blade resembling a meat cleaver]

[A, voice catching] ā€œ...Mā€™ so sorry, baby-!ā€

[He cries, stumbling and groaning in pain]

[SFX: More belligerent walking, stumbling, etc.]

[A] ā€œ... Mā€™ so sorryā€¦ We were gonna have it all! ALL OF IT! I was gonna take the money, take you someplace warm, and love you for as long as I could! Ainā€™t no one else Iā€™d be good for, I swear! Iā€™m a hive of demons, baby, but you kept ā€˜em quiet!ā€

[Pause]

[SFX: Crashes, items falling, then water running]

[A] ā€œ... Poor babyā€¦ The fibro made you so miserableā€¦ Iā€™d hold you in this tub in nice, warm water, massage your poor back, andā€¦a-and Iā€¦ā€

[SFX: Abe half-falling, half-stepping into the bathtub. Water sloshing about]

[He lies, fully clothed, in the water as the tub fills, and fills, staring up at the ceiling]

[A, quietly singing to himself] ā€œCome to the creek, weā€™ll paint it red. Go tell the hen that her chicks are dead. Knockā€¦ knockā€¦ the Butcherā€™s here. Knockā€¦ knockā€¦ no need to fear. One blow down, his headā€™s half gone. Knockā€¦ knockā€¦ the gameā€™s been wonā€¦ The water in the tub has turned blood redā€¦ā€

[He draws a breath, running bloodied fingertips across the wall]

[A, tone dark] ā€œ...Because everyone knows when the Butcher wants someone dead.ā€

[SFX: The water overflowing]

[He chuckles. Sobs. Until it mixes together in mad, desperate laughter]

[A] ā€œDONā€™T YOU WORRY, SUGARPLUM! YOU MAY HAVE TO WATCH ME BURN IN HELL ALL THE WAY FROM HEAVEN, BUT I SWEAR Iā€™LL MAKE THEM SUFFER! JUST FOR YOU, BABY! ALL FOR YOU!!!ā€

[His insane laughter builds until even the hardened city pigeons outside fly off]

[A] ā€œGod canā€™t save you now, Matthewā€¦ Call me the fucking Devil, for I was cast out of Heaven to punish the wicked, and youā€™re going to burnā€¦ I promise you that. You took my angel awayā€¦ and I am not going to die until I make sure you regret it. The Devil is coming for you, Matthew Silvestri, DO YOU HEAR ME?!ā€

[Fade out on water pouring and Abe generally being batshit crazy]


[Scene opens in the trunk of a car]

[...]

[You hear voices. Theyā€™re muffled but you can hear them, regardless]

[B] ā€œYeah, boss, I got her in the trunk. Just need to stop for gas.ā€

[SFX: A car pulling over and the driver getting out]

[B] ā€œI should be back in a few hours. Cityā€™s a good bit away from your place, Matt.ā€

[Pause]

[B] ā€œHuhā€¦? Yeah, I made it quick, why?ā€

[Pause]

[B] ā€œ... With respect, sir, there ainā€™t nothing to be done now. Abe crossed the line. You did what you had to to send your brother a message without killing him. What else wouldā€™ve gotten through?ā€

[Pause]

[B] ā€œLook, justā€¦ Antonio doesnā€™t have to know, alright? Abeā€™s gonna be away, licking his wounds for a bit, but weā€™ll be ready next time he comes swinging. Fuck knows the crazy bastard wonā€™t relent until either heā€™s dead or we are.ā€

[SFX: The beeping of a car politely informing you that youā€™ve left a door open]

[B] ā€œGodamnit, the fucking car is bitching about the trunk not being properly locked again. I gotta go, boss.ā€

[SFX: The call ending]

[You hold your breath as you hear your would-be killer mosey about outside, nonchalant as anything]

[B] ā€œMattā€™s going too soft on old Abeā€¦ Hope for his sake he gets it together. And I hope for MY sake that this gas station has some decent food, yeesh. Food first, gas second.ā€

[SFX: The car door slamming shut and fading footsteps]

[...]

[SFX: The Listenerā€™s heartbeat going wild as they push and test the trunk door]

[You push and test the trunk door, gently at first, but then firmer. More insistent, untilā€¦]

[SFX: The trunk popping open!]

[You scamper out of the trunk, lightheaded and dazed. Youā€™re not really sure what to do at this point. Itā€™s the dead of night and no other cars are there]

[...]

[He left the keys in the ignition]

[As you hurry toward the driverā€™s side, your would-be killer sprints out of the gas station]

[B] ā€œHEY! Freeze right there, little lady!ā€

[Pause!]

[B] ā€œDonā€™t you fuckinā€™ dareā€¦ I got paid a lot of money to make sure you were out of the picture, and youā€™re remaining out of the fucking picture, like it or not! I donā€™t know how you lived through the same stranglehold Iā€™ve used to kill people TWICE your size, but it ainā€™t lasting!ā€

[He marches toward you, eyes furious]

[SFX: A car door opening, slamming shut, locking and then the car starting up]

[B, muffled] ā€œHEY! Godamnit, you are not-!ā€

[SFX: Him punching through the window and grabbing the Listener. A scuffle ensuing]

[B] ā€œRrgh, you are going to fucking lieā€¦ DOWN!ā€

[SFX: The Listener being slammed to the ground]

[B] ā€œAll you had to do was fucking die, little girl. Thatā€™s all you had to do! But no, you gotta make me spit out half my damned burrito running out after you, fucking belt is a mess, and-!ā€

[SFX: A gun cocking]

[He freezes as you grab the gun from his holster and aim it at him]

[B] ā€œWhoa whoa whoa, sweetheart! Easyā€¦ Easy. Cā€™mon, give me back my gun, huh? We can work something out, Iā€™m sure.ā€

[Pause!]

[The man scoffs and backs a few steps away, holding his hands up]

[B] ā€œFine, fine, Iā€™m backing offā€¦Listen, sweetheart, what do you think is going to happen here, huh? Abeā€™s in with a bad crowd, and heā€™s almost the baddest of them all. Youā€™re tossing tongues with the Butcher of 3rd Avenue, babydoll, and he pissed off the wrong man. Itā€™s nothing personal, I promise you.ā€

[...]

[B] ā€˜Pfftt, sure you know your ā€œAbe babyā€, eugh. What do you think is going to happen here, hm? If you kill me and go back to Abe, the whole mafia is just going to come down on you. Youā€™ll be running the rest of your life, and even Abe canā€™t save you from that. This is a mercy killing, and an important lesson to Abe that can be brought down.ā€

[Pause]

[B] ā€œNo. Ainā€™t no way youā€™re coming out of this alive unless the boss himself says otherwise.ā€

[...]

[He stares you down and you stare back, hands trembling on the cool metal of the gun]

[B] ā€œCā€™mon, Sugarplum. We both know you ainā€™t got it in you.ā€

[...]

[B] ā€œGive me my gun back and Iā€™ll make it quick and painless, yeah? Itā€™s as good as youā€™re going to get.ā€

[...]

[B, stern] ā€œGive me the fucking gun.ā€

[...]

[No]

[SFX: Two gunshots]

[The mobster cries out in pain, falling on his side as you put two shots into him]

[B] ā€œGah, you fucking BITCH! Those were my fucking KNEES!ā€

[He writhes on the ground as you watch in horror]

[P-Pause!]

[B] ā€œSorry? Youā€™re SORRY?!?! Iā€™m gonna fucking KILL YOU!ā€

[He groans and squirms in pain as you hurriedly backpedal, jump into the car, and put it into drive]

[B] ā€œYOU AINā€™T GOING TO GET AWAY FOR LONG, YOU LITTLE BITCH! YOU HEAR ME?!ā€

[SFX: The car kicking into gear]

[You slip into the driverā€™s seat, shaking violently as you go to drive off. Youā€¦ could run over the man, if you wanted]

[...]

[SFX: The car peeling away]

[To be continued]

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They Are
a male/male couple, or multiple men
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a female
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Posted
1 year ago