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Eugénie’s true self emerges when she takes on the guise of a man; does Dantès’ true self emerge when he takes on the guise of the count?
In his treatment of Eugénie’s inchoate masculinity, does Dumas seem to be exploiting her as a curiosity or painting a sensitive portrait of a complex character?
The closing line suggests the way in which physical separation harms relationships; are Mercédès’ feelings toward Dantès an example or a counterexample?
Final sentence of chapter:
“Monsieur Danglars had a daughter no longer.”
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