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With the narrator’s jaded description of the party and guests, is Dumas critiquing high society or poking fun at himself?
The interruption of Andrea and Eugénie’s nuptial festivities recalls the interruption of Dantès and Mercédès’ nuptial festivities, in Chapter 5 (“The Betrothal Feast”). Has the count orchestrated things this way out of a subconscious need to relive his own trauma?
Do you think Danglars has any sense of the scope of things when the count pronounces the name Caderousse?
Final sentence of chapter:
“Monte Cristo looked quickly around him. Andrea had vanished.”
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