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Does the quasi-cinematic (“Meanwhile, on the other side of town…”) narrative style of these chapters fit with the action? And, more generally, do you find Dumas’ variation of narrative styles effective?
The count is a puzzle (as Albert notes) and has seemingly dedicated his whole existence engineering himself as such… if he were to achieve his revenge, would he ever be able to relate to others in a normal fashion again?
Final sentence of chapter:
“Bertuccio bowed, and as his wishes were in perfect harmony with the order he had received, he started the same evening.”
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