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1) The count seems to have involved Jacopo in his plans; do you think he’s giving Jacopo a better life or taking advantage of Jacopo’s devotion to him?
2) At one point, the narrator describes Danglars as smiling in a manner reminiscent of an overly sentimental painting of a moon and ruins, seemingly jabbing at Romanticsm. But TCoMC makes use of the same tropes, especially in Chapter 34 (“The Colosseum”)… is Dumas poking fun at himself?
3) I don’t remember learning Fernand’s last name prior to this chapter… why Mondego?
Final sentence of chapter:
“Danglars rushed out of the apartments, and, in one bound, was in his carriage.”
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