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1) The count portrays himself as a sort of superbeing, floating above the burgeoning nationalism of nineteenth-century Europe and bound only by physics and mortality. Are his references to God and Satan just for show, or do they reveal an actual respect for higher powers?
2) Why does Dumas make such specific callbacks to Abbé Faria in this chapter (Noirtier’s apoplexy) and in the previous chapter (the elixir that revives Édouard)?
3) So… who did Bertuccio kill??
Final sentence of chapter:
“Have the carriage ready in a half an hour.”
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