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1) This chapter doesn’t live up to what its title seems to promise: a deeper examination of Bertuccio. Why do you think Dumas chose this particular title?
2) Do you think the count actually misremembers ordering Bertuccio to select a country house? Or is he pretending to be confused to fool the notary (for some reason)?
3) Does the narration feel like it’s taking a different tack by leaving us in the dark about the mysterious house at Auteil, Bertuccio’s unexplained panic about going there, and the count’s locked notebook?
Final sentence of chapter:
“The steward sat respectfully on the front seat.”
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