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1) Given the count’s declaration that death lifts a person’s mask, offering the only opportunity of truly understanding that person’s character, how should we interpret Carnival (whose participants wear masks)?
2) What does the contrast between Albert‘s amorous adventure and Franz’s sacred meeting with the pope suggest about these two characters?
3) Does Albert’s budding romance with the woman in the peasant costume seem like a matter of chance or an orchestration by the count?
Final sentence of chapter:
“The carnival was over.”
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